In what turned out to be sort of a pop culture moment, the infamous television special, The Mystery of Al Capone's Vault, hosted by Geraldo Rivera originally aired live on April 21, 1986.
For those who don't know, Al Capone was head of the Chicago mafia beginning in 1925. During his run, he was listed on the FBI's "Most Wanted" list, sold alcohol during the Prohibition era, planned the St. Valentine's Day massacre, and was eventually indicted and convicted of income tax evasion in 1931. He was released from Alcatraz prison in 1939 on humanitarian grounds due to acutely advancing syphilis. He eventually died in January of 1947 in his home on Palm Island, Florida from cardiac arrest after suffering a stroke at the age of 48.
In July 1928, Capone moved his headquarters to a suite at the Lexington Hotel in Chicago. He ran his various enterprises from this hotel until his arrest in 1931. A construction company in the 80s planned a renovation of the Lexington Hotel and while surveying the building discovered a shooting range and a series of secret tunnels including one hidden behind Capone's medicine cabinet. These tunnels connected taverns and brothels to provide an elaborate potential escape route in case of a police raid. Rumors said Capone had kept a very secret vault beneath the hotel to hold some of his wealth.
The decision was made to open this secret vault on live television. Geraldo Rivera, a relative unknown at the time, hosted The Mystery of Al Capone's Vault. The two hour (including commercials) syndicated event was greatly hyped as potentially revealing great riches or dead bodies on live television. Here is one of the commercials promoting the live television event...
I remember tuning in to watch at least a portion of the special. You couldn't help but hope to find something gruesome or exciting that had been trapped for over 50 years inside that vault. Rivera had a medical examiner on hand in case bodies or remains were found and agents from the Internal Revenue Service were present to collect any of Capone's money that might be discovered. When the vault was finally opened the only things found inside were dirt, an old stop sign and several empty bottles including one Rivera claimed was for moonshine bathtub gin. No loot, no skeletons, nothing. What a letdown! Rivera concluded, "It seems, at least up to now, that we've struck out with the vault." That was an understatement.
Despite the disappointing and embarrassing ending, the special became the most-watched syndicated television special ever with an estimated audience of 30 million. The show garnered one of the highest ratings in U.S. television history. Nielsen recorded a 34 average rating and 48 average share in eight markets and a 57 rating and 73 share in the Chicago market. It was at least a success from that aspect. The show became a punch line and cautionary tale and Geraldo Rivera was humiliated, but it also garnered him quite a bit of notoriety and would help launch Rivera's career to another level. He would host his own syndicated daytime talk show, Geraldo, beginning in the Fall of 1987 and running for 11 years. He had another infamous moment on that show in November of 1988 when a brawl broke out and he sustained a broken nose during the melee. But I think will always remember him most for hosting The Mystery of Al Capone's Vault. And, yep, it happened in the great decade of the 80s. Here is a video including his account of the special many years later...
That's all for this issue of Kickin' it Old School. Thanks so much for reading. If you are interested in reading any of my other 80s related issues, please click there for a summary of those. You can also always click on the Archives in the upper left hand column or use the Google Search Box at the top of the right hand column to find any other issues you may have missed. If you are a fan of Kickin' it, PLEASE CLICK ON THE FACEBOOK LOGO in the upper right hand column. This will take you to the Fan Page where I ask you to then click on the "Like" button. Even if you are not a Facebook member yet, please consider joining and registering as a fan at that page. You can also follow @OldSchool80s on Twitter by clicking on the FOLLOW ME ON TWITTER LOGO also in the upper right hand column. This will take you the page and you can just click on the box that says "Follow". I am sending daily 80s tweets, so sign up to get those. Let other 80s fans know about it as well! Peace and much love.
Check this out: I saw this spoof of a weather forecast on the planet Alderaan presumably a couple days prior to Grand Moff Tarkin demonstrating the power of the Death Star. I'm always a fan of creative and/or funny Star Wars humor, so wanted to share it here.
Quote of the day: "It's fine to celebrate success but it is more important to heed the lessons of failure." -Bill Gates
As I feel the need to say each time, I am so pleased that interviews continue to be a legitimate part of this little blog of mine! When the opportunity presents itself to ask a few questions to someone who contributed to the awesomeness of the 80s, I will continue to share those answers with you right here. Again, lucky for me (and hopefully you), I do get to share a little more awesomeness with you.
This time that awesomeness is Trevor Steel. He is best remembered as the lead singer and guitarist for The Escape Club. They had five singles reach the Billboard Hot 100 including a big hit in the late-80s with "Wild Wild West" and then in the early-90s again with "I'll Be There". The band split up in 1992, but has partially reunited and released a new album in 2012. You will find out more about the band's early success and biggest hit songs as well as what they are doing now as we get on to some selections from my interview with Trevor Steel...
Q: When did you know you wanted to be a professional musician?
Trevor: I knew I wanted to be a professional musician when I was still at school. I guess I thought of myself as a bit of a rebel in those days and affected an "alternative" pose like a lot of teenagers do. School and I didn't get on very well. I didn't want to work in an office or do anything else my teachers would have recommended. I just stupidly assumed that rock musician was a good career choice.
Q: Please discuss any of your personal musical influences and who molded and inspired the artist you were back in the 80s and have since become.
Trevor: I discovered David Bowie when I was still at school. He was my first influence. Then David Byrne and Talking Heads. I think these two influenced me the most as a lyricist.
Q: Please tell us a little about how and why The Escape Club came to be. How did you choose that name for the band?
Trevor: We got together after two other bands, the Expressos and Mad Shadows, disbanded [in 1982]. We'd all been on the London scene back then and the four of us joined together from the ashes of both bands. Really can't remember how we got the name, given loads of stories over the years but I think like most bands, it was the only one that no one hated.
Trevor Steel and John Holliday (guitarist), former members of Mad Shadows, were joined by Johnnie Christo (bassist) and Milan Zekavica, former members of Expressos, and after almost a year of writing and rehearsing they played their first gig as The Escape Club in 1983. Despite some quality exposure, they would not be offered a record deal for several years.
Q: The band first signed with EMI in 1986. How did you end up with Atlantic and having break-out success there?
Trevor: EMI put out our first record [White Fields in 1986] but when we went to them with the second (Wild Wild West), the A&R man Nick Gatfield, said he "didn't hear a hit." He's pretty high up in the music industry these days. Just goes to show you, they haven't got a clue what they're doing in the major labels. Atlantic bought the album from EMI, so that is how we ended up over there.
Q: You released Wild Wild West in 1988 and it was a huge success. Please take us back to when the lead single "Wild Wild West" was written and recorded. What is the back story about how that particular song was conceived and written?
Trevor: John had heard a Run-DMC track on the TV the previous night and rushed upstairs to put a hip-hop drum beat onto his drum machine. The journey to the drum machine doubled the speed though and when I came round to see him the next morning and started singing over it, it turned into "Wild Wild West". I think we wrote that song in the space of two hours. It was originally going to be three minutes long and the extended section with the rap was only meant for the 12" single. We loved it so much full length though that we put the whole thing out.
The Escape Club released their rock/dance hybrid album in the summer of 1988 and its first single caught attention very quickly. "Wild Wild West" raced up the U.S. charts and would reach the top of the Billboard Hot 100 the week of November 12, 1988. The single would also have some success in Australia, but surprisingly not in their homeland of the UK. In fact, this made The Escape Club the only British artist to have a #1 hit in America while never even charting in the UK. Here is the music video for "Wild Wild West" by The Escape Club...
Q: Please tell us about the meaning behind some of the lyrics and what message you were trying to convey with this fun song. (Living in the 80s, heading for the 90s, safe sex, waiting for the big boom, etc.)
Trevor: I guess it was just a reflection of the times, living in the 80s with all the yuppies getting rich quick and living under the fear of the Cold War and AIDS. The "Ronnie" in the song was a reference to Ronald Reagan.
Q: Did you have any feeling that the single was going to be something special or receive the response it did?
Trevor: Not really. We knew it was good but never knew it would catch on to the extent it did.
Q: What changed for you personally and for the band after this single's success? Were you prepared for attention and all of the other things that came with a #1 hit?
Trevor: It was never a big hit in the UK where we came from so our first experience of having a hit was when we arrived in New York City to a #1 record. It was mind-blowing!
Q: Had you been to the U.S. prior to this song's success here? What memories do you have from you initial visits to the country and your U.S. concert tour? How did you feel back then that you were having such incredible success overseas in the United States, but your home country was not showing you the same love?
Trevor: As mentioned, our first visit to the USA was to a #1 single. I'd never been there before but quickly fell in love with the country. It's been very good to me over the years. I live in Australia now but visit the States regularly. We had a solid core of fans in the UK, still do, and they were great to play to so it never really bothered us too much about not making it so big over there. We could fill out the Marquee Club in London so that was good enough for us.
Q: When you have a mega hit song like that, do you (or did you) ever get sick of playing it?
Trevor: No - that song's been good to me and helped me pay for my house. I'm happy to play it whenever asked!
Q: What are your feelings regarding "Wild Wild West" today almost 24 years later?
Trevor: It still stands up really well on radio which is great as it still gets played. I think it still works because we never fell into that 80s trap of using too much reverb and big snares.
Q: The video for "Wild Wild West" was pretty interesting with the mirror effect giving the illusion of disembodied arms and legs dancing. Do you know why the video was banned in the UK? Videos had become so important to a song's success in the U.S. What are your thoughts on the impact that MTV had on your band's success and music in the 80s in general?
Trevor: MTV was the biggest thing for us then. I'd say it was instrumental in breaking the band, much in the way as YouTube does it for bands these days. I can't remember why the video was banned in the UK, I think some kids got scared looking at the disfigured legs. [The video was reportedly banned in the UK for being allegedly sexist and offensive, but not sure why.]
Q: In 1991, The Escape Club had another hit with "I'll Be There". Please take us back to when you wrote and recorded the song. What is the back story about how it was conceived and written? What inspired it? Did you write the lyrics and how long did that take? Any interesting facts or memories you can let us in on from creating this great song?
Trevor: When we were recording Dollars & Sex, our third album, everyone in the record company was on us to write a ballad as that was all that radio was playing from rock bands at the time. A friend of ours' wife died while we were in Los Angeles recording. John had come up with some chords which he left with me one night when the rest of the band were going out partying. I wrote the lyrics and left them on a table. John says that he remembers coming in that night and "seeing them in a shaft of light". I don't know if that story has been exaggerated over time but that's how it was written.
The Dollars & Sex album was released in March of 1991. Its first single, "Call It Poison", peaked at #44 and failed to crack the Top 40. But the second single was a surprisingly different story. The very emotional and moving ballad "I'll Be There" struck a chord with the listening audience. So much so that it would push the single all the way up to #8 on the Billboard Hot 100 and eventually to be certified gold. If you didn't know, it would be difficult to identify that this beautiful song is by the same band who performed "Wild Wild West". It has become an anthem to many who have experienced losses of their own. Here is the music video for "I'll Be There" by The Escape Club...
Q: Was this song's success a little unexpected or did you have a feeling it would resonate with the audience? What are your feelings regarding "I'll Be There" today over 20 years later? I imagine it has to be pretty cool having a song that has helped many people cope with loss.
Trevor: It has become a bit of a cult hit on YouTube these days. I think a lot of people know the song but don't realize it's us. It's really nice to have touched so many people. We've done an updated version for our new album and put it up on iTunes. I prefer the new version.
Q: You worked with Peter Wolf as producer of your Dollars & Sex album. What can you tell us about Wolf and your experience working with him? Did he contribute anything in particular to "I'll Be There"?
Trevor: Yes, he played the keyboard parts and was very patient in getting a vocal performance out of me. As I'm a producer myself these days, I appreciate what a hard job that is.
Q: What do you remember best about the decade of 80s music?
Trevor: The 80s was my time in the same way that every decade means something to different people. I loved being young, full of hope and belief but I guess that's just about being young. I think the 80s had great songs, way more than you get these days. On my wall I have a disc with the Billboard chart for the week we went to # 1. That same week there was The Beach Boys, U2, Phil Collins, Bon Jovi, Whitney Houston, George Michael and INXS and that was just an ordinary week in the music charts. All substantial artists with some very big songs; the charts are nowhere near as rich these days.
Q: Why did The Escape Club split up in 1992? Did you ever regret that or was it just time to move on? Did you feel that you might reunite again down the road?
Trevor: We split up for the usual music biz reasons; we'd made a lot of people a lot of money but none of it seemed to find its way to us. Looking back on it, I wish we'd stayed together for one more album but we were contractually tied. John and I reformed the band last year and we've just put an album out with a friend of ours, Red Broad, on drums. It's called Celebrity and I think it's some of our best work.
Q: Please tell us a little about where your music career has taken you since that time. What are some of your proudest professional accomplishments?
Trevor: After the band split, John and I went on to be producer/songwriters based in the UK. We had a few hits there in the 90s, including three #1 singles. I emigrated to Australia nine years ago and started my own record label. I discovered a young band called Short Stack who have had two gold selling albums over here and are about to release their third. My proudest accomplishments to date are to have stayed in the music industry for so long and to have written and produced a few hits. I think the whole reason I do what I do is to reach people so I think I've at least managed to do that in a small way.
Q: As you mentioned, you reunited with John Holliday in 2009 and just released a new album in 2012. Why was it the right time to reunite and release new material by The Escape Club? What are your feelings regarding Celebrity? Please tell us a little about the album and who will like it.
Q: What else is Trevor Steel up to nowadays? Musically and otherwise? What can we expect in the future?
Trevor: Well, we think we may tour the States later on this year and I'm going to carry on writing and producing for other acts. I've also started writing a novel which I hope to get out by next year.
I am very happy that Trevor was able to take some time to answer my questions so I could share them with you here. You can find out more and keep up with The Escape Club at their official website www.theescapeclub.net and at the band's official Facebook page www.facebook.com/theescapeclub/ . I want to take this opportunity to again thank Trevor Steel for his contributions to 80s pop culture with The Escape Club and, even more, for taking a stroll down memory lane with us here for a little while as well.
That'll do it for another special issue of Kickin' it Old School. Thanks as always for reading and hope you are enjoying the interviews as much as I am. If you want a summary of all of my Back to the 80s Interviews posted thus far, please click on that link. Be sure you haven't missed any of them. If you are interested in reading any of my other 80s related issues, please click there for a summary of those. You can also always click on the Archives in the upper left hand column or use the Google Search Box at the top of the right hand column to find any other issues you may have missed. If you are a fan of Kickin' it, PLEASE CLICK ON THE FACEBOOK LOGO in the upper right hand column. This will take you to the Fan Page where I ask you to then click on the "Like" button. Even if you are not a Facebook member yet, please consider joining and registering as a fan at that page. You can also follow @OldSchool80s on Twitter by clicking on the FOLLOW ME ON TWITTER LOGO also in the upper right hand column. This will take you the page and you can just click on the box that says "Follow". I am sending daily 80s tweets, so sign up to get those. Let other 80s fans know about it as well! Peace and much love.
Check this out: I enjoyed these videos created by www.squirrel-monkey.com featuring examples of how current computer technology might have looked back in the 80s. Here is one for Google and another for Angry Birds. Enjoy!
Quote of the day: "Give me love. Give me love. Give me time to live it up." - Trevor Steel from "Wild Wild West" by The Escape Club
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